Ο Θεόδωρος Κολοκοτρώνης σε ρωσική λαϊκή εικόνα, 1830.
Φανταστική απεικόνιση, χαρακτηριστική της απήχησης του ήρωα στη Ρωσία.
Συλλογή Χαρακτικών Ε.Ι.Μ.
What is shashka?
The Shashka (Adyghe: (Сашьхъуэ),Russian: (Шашка))
is a special kind of sabre; a very sharp, single-edged, single-handed, and guardless sword.
In appearance, the shashka was midway between a full sabre and a straight sword. It had a slightly curved blade, and could be effective for both slashing and thrusting. The blade was either hollowed or fullered. There was no guard, but a large, curved pommel.
The absence of the guard is inherited from the original Caucasian construction, in which the shashka is nearly completely hidden in the scabbard, together with the hilt. The hilt is slightly curved down, thus providing an additional leverage for pulling the shashka and for additional force by wrist action.
The hilt was frequently highly decorated. It was carried in a wooden scabbard that enclosed part of the hilt. It was worn with the cutting edge to the rear, opposite to the sabre.
The blade of the sabre was generally double or triple-fullered, and due to its greater width than that of the European sabre, and its unique styles of tempering, it was much stronger too, able to deal damage to light body armor.
The shashka originated among the mountain tribes of the Caucasus in the 12th or 13th century. There are two styles of shashka: the Caucasian shashka and the Cossack shashka.
The word shashka came from the Adyghe word Adyghe: ( Шашькуэ) “Shashkwa” means “long knife”.
It gradually replaced the sabre in all cavalry units except hussars.
In the Russian Army, this type of saber was first officially introduced in 1838. In 1882, when the cavalry was reorganized, the regular dragoons were armed with the shashka. Several forms of shashka were carried by Soviet cavalry into the Second World War.
Length of sheath: 1 020 mm
Length of blade: 866 mm
Weight: 1330 grams
1934. French. Coverage of the funeral of Olympic fencer Lucien Gaudin. Included is 30+ seconds of footage from his bout with Aldo Nadi. In making this print they must have “flipped” the negative because Gaudin was well-known as a left-handed fencer.
So in this clip, Nadi is thus the “lefthanded” fencer in white pants and Gaudin the “righthanded” fencer in dark pants.
For some reason they added “crowd noise” to the 1922 (silent) fencing footage. My apologies for the watermark.
"I thank the gods for being Greek" - Alexander the Great
‘Ακαδημία Ιστορικών Ευρωπαϊκών Πολεμικών Τεχνών’'Λεοντες': Εκπαίδευση μεσαιωνικής και αναγεννησιακής σπαθασκίας
Historican, Swordsman and all-round rascal
A Blog for Lovers of the 18th Century
Το περιεχόμενο των επώνυμων άρθρων ενδέχεται να μη συμπίπτει με τις απόψεις και θέσεις του διαχειριστού.(π.Δημ.Αθανασίου)
Minoan Linear A, Linear B, Knossos & Mycenae
A Resource for Historical European Martial Artists
FencingClassics from the Secret Archives of Fencing and Dueling
Just another WordPress.com weblog
ARGOLIKOS ARCHIVAL LIBRARY OF HISTORY AND CULTURE www.argolikivivliothiki.gr
Chronicles of the Past
Poking Each Other With Sticks Since 2006
Βιβλιοθήκη Κλασσικών & Φυσικών Επιστημών
A podcast telling the story of the Roman Empire from 476 AD to 1453
All Swords All The Time - Updates Tuesdays and Fridays
The French art of personal combat